|
Contents
Message from
Dr Gottfried Haas, Ambassador of the Federal Republic of
Germany
Micheal O’Siadhail, ‘Hopscotch’ and ‘Caprice’
Preface: Susan
Youens
A: Goethe’s Musical Aesthetics
1 | Goethe’s Presence in the
Vienna Music Scene of
his Era: Otto Biba
2 | Goethe and Zelter: An Exchange of Musical Letters:
Lorraine
Byrne
B: Goethe and
Beethoven
3 | Göthe and
Beethowen: Men of Genius between Distance and Affinity: Claus
Canisius
4 | ‘Ich denke dein’: Beethoven’s Retelling of Goethe’s
Poetry: Amanda Glauert
5 | Fidelio and Faust in the German ‘Wende’ of
1989/90: Moray McGowan
C: Goethe as Musical
Catalyst
6
| Goethe and the Czechs: Jan Smaczny
7 | Bettina von Arnim, Goethe and the Boundaries
of Creativity: Briony Williams
8 | Blumengruß und Blumenglöckchen: Goethe’s
Influence on Anton Webern: Gareth Cox
D: Musical and
Philosophical Reflections
of Wilhelm Meisters Lehrjahre
9 | ‘Thealogy’: Gods,
Goddesses, and Wilhelm Meisters Lehrjahre: Nicholas
Boyle
10 | Schumann’s Requiem für Mignon and the Concept of
Music as Literature: Julian Horton
11 | Mignon’s Exequies and Aesthetic Reflections of the
Liturgy in Music:
Adolf Nowak
12 | Mignon und der Harfner:
Seóirse Bodley
Appendix 1 |
Conference Programme
Appendix 2 | Goethe and the Guitar
Index
|
